Fall & Winter Archive
by Barbara Novak
80 pounds of sugar and spice — 40 on the chest
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by George Murray
An interview with Jenny Boully
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by Jim Nolan
From bright to dim, from early morning glow to faint, twinkling starlight
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by Marius Kociejowski
La Dolce Vita, the deepest film ever made about shallowness
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by Mark Toft
“That’s funny. I was stopping by to see if I could borrow a vacuum truck. Why would you ask me if I wanted to buy one?”
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by Natalie Alvarez
Life as a Big Fat victim. Stealth marketing
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by Robert Michael, Karin Doerr
A Hitlerian vocabulary
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by Michael Gliserman
Pain. The mere mention of the word makes us cringe
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by George Sellers
For the past 10 years, D. R. Cowles (pronounced Coles) has been photographing historic architecture and cultural remnants in North Africa. Jewish sites have been his primary focus, though he has also photographed Roman ruins, historic Islamic archite
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by Jack Illingworth
Fencebooks: an aesthetic profile
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by Peter Richardson
Portrait of the artist as an off-ramp attendant
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by Mark Toft
Gladly let the bastards keep me down
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by Francis Ponge
The essay-journal of a French master.
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by Robyn Sarah
What we were hearing was wind-driven rain, ice removal equipment on the streets, and huge tree limbs cracking like great bones under the buildup of ice, then crashing to ground
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ISSUE 43
Tenth Anniversary: Spring 2012
online content:
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by Paul Gettlich
What really happened at Occupy Toronto?
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by Christopher Szabla
Occupy and the Arab Spring are often glowingly compared to the decentralized, democratic internet. But that very similarity may have doomed these movements from the beginning.
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by Maisonneuve Staff
A decade of Maisonneuve.
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also in this issue:
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by Tim Falconer
How can someone who passionately loves music also be a terrible singer? Tim Falconer takes up voice lessons—and discovers the surprising science of tone deafness.
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by Deni Y. Béchard
As a teenager, Deni Y. Béchard went to Vancouver to live with his father, an ex-con with a penchant for telling tall tales. He met a man desperate to forget the past.
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by Johanna Skibsrud
"She felt a great sadness. She would remember next to nothing of this, even soon."
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[see full issue contents]
