Progress Archive
by Anita Lahey
In search of the perfect peg.
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by Penelope Smart
Can a computer predict pop success? Maisonneuve puts new technology through the paces.
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by Mitch Moxley
Agent Orange still poisons Vietnam’s water, soil and blood
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by Jon Mooallem
Weighing the earth, one chunk at a time
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by Jarod Kintz
Second-place finalist in Maisonneuve’s “Sunshine on Your Shoulders” literary contest
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by Arthur Rimbaud
Translated by Marc Di Saverio
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by Matthew Fox
Patricia Robertson reflects on obsession, selflessness and her short story, “My Hungarian Sister”
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by Matthew Fox
Mitch Moxley, author of “The Fog of War,” reflects upon his time helping Agent Orange victims in a special Vietnam village
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by Mercedes La Rosa
Four really simple ways to “see dead people” in photos
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by Mercedes La Rosa
Up close and personal with Nigeria’s biggest film star, Geneviève Nnaji.
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by Mona Awad
Speculating on genetically modified wine’s delightfully insidious possibilities
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by Janine Armin
Forging on in upstate New York
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by Jonathan Kiefer
Nigeria’s manic movie machine is ready for its close-up
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by Matthew Tierney
Winner of Maisonneuve’s “Sunshine on Your Shoulders” literary contest
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by David Ng
When it comes to wine, will science trump tradition?
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by Jana Prikryl
The strange case of flying furniture, women’s suffrage and ectoplasm
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ISSUE 43
Tenth Anniversary: Spring 2012
online content:
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by Paul Gettlich
What really happened at Occupy Toronto?
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by Christopher Szabla
Occupy and the Arab Spring are often glowingly compared to the decentralized, democratic internet. But that very similarity may have doomed these movements from the beginning.
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by Maisonneuve Staff
A decade of Maisonneuve.
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also in this issue:
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by Tim Falconer
How can someone who passionately loves music also be a terrible singer? Tim Falconer takes up voice lessons—and discovers the surprising science of tone deafness.
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by Deni Y. Béchard
As a teenager, Deni Y. Béchard went to Vancouver to live with his father, an ex-con with a penchant for telling tall tales. He met a man desperate to forget the past.
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by Johanna Skibsrud
"She felt a great sadness. She would remember next to nothing of this, even soon."
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[see full issue contents]